1. What
do you do when you are not writing?
I have a full-time day job in research
administration at the University of Washington. It’s exactly as exciting as it
sounds, but my work team is full of geeky, funny people whom it’s a pleasure to
spend the day with.
Like almost all writers, I read a lot—a
mix of romance, fantasy, mystery, science fiction, YA, the occasional graphic
novel, and a good bit of nonfiction. I love to cook and try new recipes. I’m a
big sports fan (Go Seahawks! Go Mariners! War Eagle!). And at the moment I’m
busy making plans for a big European trip this summer, which will include the
200th anniversary commemoration of the Battle of Waterloo in June.
2. What
is the toughest criticism you have received as an author?
It’s always hard to get a bad review from
a reader who’s liked my books in the past. I know it’s impossible to please
everyone, so some people just won’t be my readers. And that’s OK. But I hate to
disappoint anyone who’s been looking forward to my next story.
3. How
important is staying true to history to your stories?
I feel like I owe it to the people who
actually lived in the past to reflect their lives as accurately as possible. On
the other hand, I owe my readers a compelling story. I also know that if you’re
not careful you can get so bogged down in research that you never get your own
words on the page. And we should never forget that the “truth” of history
depends on the perspective of the teller—even with eyewitness accounts. So as a
writer of historical fiction, I try to balance all that—respect the past, but
tell a good story and recognize that history is inevitably filtered through the
biases of witnesses, scholars, my own beliefs and culture, etc.
4. How
do you get the ideas for you stories?
It’s as if my brain has several incomplete
story files at any given time—characters who need a story, tropes I’d like to
put my own spin upon, historical incidents I’d like to use as a setting, etc.
When enough of those pieces come together, I have a story. Sometimes it happens
spontaneously, while in other cases I take a character or incident and push my
imagination for the other ingredients.
5. What
is the worst job you’ve ever had?
Camp counselor for 4th and 5th
graders during one of my college summers. I was pretty bad at it, which was
something of a blow to my ego—I was incompetent at a job that mostly entailed
hanging out with kids?! And to top it off, most of the other counselors went to
a different college together and were already good friends, leaving me the odd
one out socially too.
6. What
was the hardest part of writing this book?
Working the timeline and itinerary out. I
had to come up with a good estimate for how long the characters’ cross-country
journey would take, when they’d find out that the War of 1812 was finally over,
when they’d learn that Napoleon had escaped from Elba, how long it would take
them to sail to England, etc. It’s definitely easier to write a book without
extensive travel or major historical events that impinge upon the plot!
7. What
did you enjoy most about writing this book?
The three central characters—Henry,
Therese, and Therese’s younger sister Jeannette—and the relationships they
build on their journey.
8. What
type of scene is the hardest to write? Love? Action? Racy? Etc.
Action scenes. I’m not a naturally visual
thinker—I “hear” my stories in my head more than I “see” them—so anything with
a lot of action and movement is a challenge. I’ve been known to borrow my
daughter’s My Little Pony figures to block out fights.
9. Do
you read your book reviews? If you do, do you respond to them?
I do read them, though when a new book is
first released I try to stay away from Goodreads, Amazon, and the major review
sites for a few weeks just to keep from obsessing too much. I’ve designated a
critique partner to send me any raves that come in!
I don’t respond to reviews because I
believe they’re for readers, not writers, and author comments on a review
thread can chill discussion.
10. Which character
that you have created, if any, is the most like you? How?
There
are bits and pieces of me in all my major characters, I think. For example, in Freedom to Love I gave Henry my fear
that my best will never be good enough, Therese my stubborn adherence to my
personal values, and Jeannette my sarcasm! And the Gordon family featured in my
first few books is loosely based on my own extended family—talkative,
opinionated, stubborn, a bit volatile, and strongly political yet divided
between the two major parties.
No comments:
Post a Comment